#CINEMA 4D FEATHERS UPDATE#

That’s how we came up with What You May Find. It seemed like a great base from which to tell a visually rich and compelling story that comments on where we could be headed. We were also very drawn to the way a lot of the verses related to events, as well as the scientific/technological advancements we are seeing today. We loved the old, folksy sound the dark, strange lyrics and that the way they described things was open to interpretation.ĭuarte Elvas: Listening to the dystopian lyrics made visuals start popping into our heads immediately. Sarofsky: Someone remembered the song, which is by Zager and Evans. Why did you choose to use the 1969 track, “In the Year 2525”? And humans need to start seeing the beauty in our natural differences because total homogenization is way scarier than individuality. That isn’t just a national issue, it is a global issue. Sarofsky: It was that moment that we realized we wanted to make a piece rooted in futurism that warned, or speculated, that technology could be used to really manipulate humanity into a totalitarian structure. Eventually, we talked about the “alt” future, and that was a real pivot in the conversation because we all realized that while technology can delight us, innovation and technology can also be used to manipulate and homogenize us. Of course, someone also mentioned hoverboards. For me, it was rooted in The Jetsons: flying cars, robot housekeepers and jet packs. We started the process by brainstorming what we thought the year 2020 would look like when we were kids. Sarofsky: Shawn wanted the titles to be themed around the future and we wanted a concept that aligned with FITC’s core attributes-Future, Innovation, Technology and Creativity. And they were super engaged in the process, contributing with audience insight, guiding the initial brainstorming session, and setting up regular check-ins and a formal schedule, which was really helpful to keep us on track.ĭescribe the brief and how you approached it. We loved that they respected our creative freedom.

It was a milestone year for the event, and we really wanted to make sure our work lived up to expectations. Sarofsky: Shawn and the FITC team were wonderful. MIRRORS: for mega and g drive links – contact admin.Here Sarofsky, along with production house’s co-director, Duarte Elvas, and lead artist, Jake Allen, talk about their process for creating the titles.Įrin, what was it like to collaborate with FITC?

#CINEMA 4D FEATHERS UPDATE#

Propagation controls for growing hair on hair might not work on latest arnold Downloads: pls buy & support the dev! IF THE LINKS ARENT WORKING, THEN PLEASE ACT LIKE A GROWN UP AND MESSAGE ME/ COMMENT HERE OR ON DISCORD AND I WILL UPDATE THESE LINKS QUICKLY! Filename: Ornatrix_v2.1_R19-R25_WinOnly_iND vfxmed.rar Official Discord : Recommended link below => FULL SPEED. Scatter control over materials and shaders Procedural feathers with control over shape and rotationīlend multiple UV channels for advanced texturing Quickly define flow of fur on a surface with arrowsįrizz, curl, clump, and braid hair procedurally Works within Cinema 4D deformer and tag frameworkīuilt-in and all 3rd-party renderer support Multiple dynamics options for all types of simulation Strand groups for non-destructive filtering Superior hair, fur, and feathers in Cinema 4D!īuild hair with a set of friendly operators

Cinema 4d feathers